Performances which I create are forcing viewers to think more deeply about the problem hidden in my message. I place sewn works into various environments and then observe the responses of people who see them.
My goal is to surprise and involve the viewer, and usually, their reactions are very positive.
(DOBRA VODA, MONTENEGRO)
(DOBRA VODA, MONTENEGRO)
(BUDAPEST, HUNGARY)
(BUDAPEST, HUNGARY)
(ADEJE, TENERIFE)
(ADEJE, TENERIFE)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(DUBROVNIK, CROATIA)
(DUBROVNIK, CROATIA)
(DUBROVNIK, CROATIA)
(DUBROVNIK, CROATIA)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(SPLIT, CROATIA)
(SPLIT, CROATIA)
(SPLIT, CROATIA)
(SPLIT, CROATIA)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(COPENHAGEN, DENMARK)
(COPENHAGEN, DENMARK)
(COPENHAGEN, DENMARK)
(COPENHAGEN, DENMARK)
(FLORENCE, ITALY)
(FLORENCE, ITALY)
(FLORENCE, ITALY)
(FLORENCE, ITALY)
(FLORENCE, ITALY)
(FLORENCE, ITALY)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)
(WARSAW,POLAND)